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Original Sin: A Cultural History | 
 enlarge | Author: Alan Jacobs
Publisher: HarperOne
Category: Book
List Price: $24.95
Buy New: $12.47
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Avg. Customer Rating:  3 reviews
Sales Rank: 61945
Media: Hardcover
Number Of Items: 1
Pages: 304
Shipping Weight (lbs): 1.1
Dimensions (in): 9.1 x 6 x 1.2
ISBN: 0060783400
Dewey Decimal Number: 233.1409
EAN: 9780060783402
ASIN: 0060783400
Publication Date: April 29, 2008
Availability: Usually ships in 1-2 business days
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Shipping: International shipping available
Condition: Brand New. 100% money back guarantee. All books shipped from Strand Bookstore, New York City, USA.
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Product Description
Essayist and biographer Alan Jacobs introduces us to the world of original sin, which he describes as not only a profound idea but a necessary one. As G. K. Chesterton explains, "Only with original sin can we at once pity the beggar and distrust the king." Do we arrive in this world predisposed to evil? St. Augustine passionately argued that we do; his opponents thought the notion was an insult to a good God. Ever since Augustine, the church has taught the doctrine of original sin, which is the idea that we are not born innocent, but as babes we are corrupt, guilty, and worthy of condemnation. Thus started a debate that has raged for centuries and done much to shape Western civilization. Perhaps no Christian doctrine is more controversial; perhaps none is more consequential. Blaise Pascal claimed that "but for this mystery, the most incomprehensible of all, we remain incomprehensible to ourselves." Chesterton affirmed it as the only provable Christian doctrine. Modern scholars assail the idea as baleful and pernicious. But whether or not we believe in original sin, the idea has shaped our most fundamental institutions—our political structures, how we teach and raise our young, and, perhaps most pervasively of all, how we understand ourselves. In Original Sin, Alan Jacobs takes readers on a sweeping tour of the idea of original sin, its origins, its history, and its proponents and opponents. And he leaves us better prepared to answer one of the most important questions of all: Are we really, all of us, bad to the bone?
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| Customer Reviews:
 Crooked deep down. September 16, 2008
3 out of 3 found this review helpful
What makes this book unique is that it is a "cultural history" of original sin, not a work of theology (though, obviously, it does engage with some theological work, particularly Augustine's). It is "an exemplary history - so-called not because it embodies excellence that other historians would do well to imitate, but because it makes its case through examples. ... [It] emphasizes narratives about people, people who engage in a serious and thoughtful way with the idea of original sin - whether by embracing it, rejecting it, or wrestling with the possibility of it" (p.xviii).
It is a engaging book. It doesn't answer all the questions I have about original sin as a doctrine but it's hardly fair to criticize it for that since that is not its purpose. What makes it so useful is its examination of how the doctrine has influenced literature, philosophy, politics - in short, how it has influenced Western culture.
 Original Sin July 14, 2008
5 out of 7 found this review helpful
This book provides a clearly developed overview of the cultural development of the doctrine of original sin. I found it quick reading and enjoyed Prof. Jacobs' prose style and narrative voice. A good book to read for anyone interested in a clear understanding of this key Christian Doctrine. Deacon Warren Hecht
an act of intellectual courage June 2, 2008
41 out of 44 found this review helpful
Three out of the five blurbs on the back cover of Original Sin manage to import some wariness over the book's content into their glowing recommendation of the book's execution. Ron Hansen acknowledges that the "even-tempered" Jacobs gives "even the most disagreeable voices their say." Publishers Weekly gives the "brilliant" book a starred review but manages to damn its subject despite this high praise: "In [Jacobs's] hands these abstruse theological disputes are utterly engrossing." And, my favourite comments, given pride of place as the first lines of the top review, are Alan Wolfe's "I do not believe in original sin. I do believe in Alan Jacobs." These reviewers, particularly the latter two, seem to be saying: any book by Alan Jacobs is worth buying, but that Jacobs's latest book is on original sin is perhaps unfortunate. The top of the back cover seems to agree, trumpeting: "How the World's Most Repugnant Idea Became the Cornerstone of Our Self-Understanding." HarperOne seems to have decided on the marketing ploy: Buy Alan Jacobs, If You Can See Past What He Writes About! Or, If You Hold Your Nose, It'll Be Good For You! We're not entirely sure why you would want to buy (or write) a book about original sin from its inception (St. Paul? Augustine? Further back?) throughout its tendentious and chequered history (the Kabbala, Pascal, John Wesley, Richard Dawkins, etc.) to its current unpopularity, but if you must, it's fortunate that you'll buy a book written by Alan Jacobs, so brilliant and humane a writer that he practically disproves his own thesis.
To be fair, Jacobs's own foreword introduces his topic by acknowledging its near-universal vilification. The East has never seen anthropology in these terms, and the West, since the Enlightenment, has attempted to mount a vigorous moral refutation of this particular aspect of its own moral foundation. But Jacobs is not writing merely to enjoy his own prose. He believes that the notion of original sin is useful for us to consider, now, probably one of the reasons that he wrote the book. One of its consistent tactics is provide a biographical context into which we can fit the sometimes repugnant-sounding theorists of human wretchedness, so that when we get to what Augustine of Hippo and Jonathan Edwards actually say, we can hear them, with an ear even for how we might transfer useful insights to our present situation without being immediately impeded by a moral gag reflex. This is a courageous thing to do: to dignify by historiography, and in some cases to stand up for, ideas which everyone seems to think are unpleasant. If you happen to think this book's subject unpleasant, then its author, publisher, and reviewers agree that you are its intended audience.
Jacobs has become an excellent writer, cultural critic. Barring some unforeseen change of circumstance, I plan to read every book he writes from here on out. His style is clear. He says smart things simply. This is not a book written for scholars, but tremendous scholarly weight must lie behind generalisations like (to pick one almost at random): "This sense of the Christian life as a drama arose early in the history of the faith, and the conviction of being infected, afflicted, by the inherited curse of sin was its motive engine." A history covering this much time must inevitably resort to such generalizations often, but they are often startling or counterintuitive, generated by the reading that he has done but does not force you to do (even, in the case of the Jansenists and others, warns you against). He has an eye for the telling, even the humourous, example or anecdote: my favourite is the one about the Scotsman who missed the voices in his head after they had fallen silent. Jacobs is charitable, even-tempered; he interprets authors with more clarity, precision, and compassion than they warrant or could have mustered of themselves. Buy the book, yes, because Alan Jacobs wrote it.
But buy it also because, if you can manage to hold your nose, it just might be good for you.
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