All for a Few Perfect Waves: The Audacious Life and Legend of Rebel Surfer Miki Dora | 
 enlarge | Author: David Rensin
Publisher: HarperEntertainment
Category: Book
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Avg. Customer Rating:  18 reviews
Sales Rank: 5767
Media: Hardcover
Number Of Items: 1
Pages: 475
Shipping Weight (lbs): 1.6
Dimensions (in): 9 x 6 x 1.7
ISBN: 0060773316
Dewey Decimal Number: 797.32092
EAN: 9780060773311
ASIN: 0060773316
Publication Date: April 8, 2008
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Amazon.com
Amazon Best of the Month, April 2008: Defining the life of legendary surf icon Miklos "Miki" Dora can be as elusive as the man himself. The self-proclaimed "King of Malibu" has been compared to trailblazers such as Bob Dylan, Jack Kerouac, and Pablo Picasso for providing the archetype of the counterculture surfer. Yet he was also a convicted felon who rarely missed an opportunity to scam even his closest friends. All for a Few Perfect Waves meets this conflicted figure head on, as David Rensin provides a rare look at the famously guarded Dora through hundreds of interviews with those who knew him best. The result is a portrait of a life wedged between hyperbole and vulnerability. His beguiling personality charmed many, but few relationships and situations were ever deemed off-limits to a con. Happily, any judgments are left up to the reader, as Rensin's engaging narrative seeks only to explore the inner workings of a man who truly lived life on his own terms. --Dave Callanan An Exclusive Q&A with David Rensin, Author of All for a Few Perfect Waves
When profiling an elusive figure like Miki Dora, the "why" is evident, but not the "how." How did you manage to gain unfettered access to Dora lore?
Rensin: To gain access to people, stories and material like letters, faxes, emails, photos, and interviews, I had to first gain everyone's trust - not an easy task when you consider that Miki spent his life mostly avoiding the press, complaining about it, telling his friends to not sell him about and not talk about him. And, when someone did break through and write about him, as I did for the August 1983 issue of California magazine - for a long time the only mainstream press story about Miki; the rest were in surf genre magazines, including interviews, and Dora's own stories about improbable international adventures - he was likely to threaten a lawsuit. (But never win.)
I started with Miki's father, who sent me to Harry Hodge, the administrator of Miki's estate. Harry is from Australia, and he was head of Quiksilver in Europe, so we met several times when he came through Los Angeles. It really came down to the human connection. We hit it off. He told me what he thought a biography of Miki would have to entail: not trashing Miki, not whitewashing him, not sensationalizing. And the book still had to be warts and all - otherwise it would be seen as dishonest. I told him I could do that. I wouldn't dance on Miki's grave, but I also had to be totally independent. I would not let anyone control the story. My loyalty would be to the story, whatever I found.
I also told him that I thought an oral history, with some narrative connective tissue, would work best because I could gather 360 degrees of opinion about and experiences with Miki. I thought that was the only fair way to go with someone who had such a multi-faceted personality, who compartmentalized so well. If I took a side, I'd get strong reaction against it from some quarter. Better to be non-judgmental about a character about whom everyone was very judgmental.
This helped really put people at ease, and allowed me to get the best and most honest material. No one felt they had to defend a point of view. And though it might run counter to the classic biography, I didn't want to figure out Miki, but to let his mystique remain.
Harry liked that and passed me back to Miki's father, Miklos Dora, Sr. We talked, I told him the same. I knew I had to be absolutely authentic with him and he was authentic in return. He had read the California magazine piece and thought it had captured Miki's character. He also told me I'd been "a little hard" on his son as well. I gave him some of my other books to read. He liked them and gave me the go-ahead.
Now came the hard part: finding people who knew Miki and convincing them to trust me to do a non-judgmental book that wouldn't focus on the easy "outlaw" aspects of his life that landed him in jail for a short while, nor treat him only as a faded old celebrity surfer from Malibu. The idea was to do a portrait of the man, and in so doing, explain the myth. Harry had told me that when discussing the book with Miki over twenty years of lunches and dinners, Miki said he wanted to be thought of as more than just a surfer. As a journalist who had spent some years surfing, but not a surf journalist, I felt I could give him that bigger tableau.
In the end, the tone of my interviews, the questions I asked, the passion I shared, and my willingness to listen instead of try to fit the story to preconceived ideas won out and people trusted me and word spread. I got over one million words of interviews from more than 300 people on five continents.
I guess it worked.
How do you think the famously guarded Miki would react to this book?
Rensin: I was often asked how Miki would react to the book; would he even want it done? Miki had always emphasized how privacy was important. He supposedly hated the commercialization of surfing and his name. These were strong and authentic themes in his life. But they were not absolute. Did he hate being photographed? I've seen many, many snapshots of him. Did he hate surfboard companies and clothing companies? Not if they didn't try to rip him off. Yes, there was a general discontent and desire to be left alone at times--and he wanted empty waves--but his actions were often situational, not carved in stone.
I think that publicly Miki would say he didn't want a book, but privately he would want it. He had to be able to put it down, to always have plausible deniability. Part of what I had to do to gain access to interviews was prove that Miki in fact wanted a legacy. I could do that because I had the correspondence as evidence. He had talked with potential book collaborators and had done some interviews. He met with people who wanted to make movies of his life. It never worked out. Some people say he just gamed these suitors for money, and in some cases that is true. But not always. I think Miki never did his book/movie because had to live his life instead of write about it, and because he wanted too much to be in control. I respect that: the wanting to get it just how he wants it. It's his life after all. He didn't want anyone interpreting it. But he had difficulty trusting co-authors. I suppose he was simply waiting for the right person with the right point of view to come along, but as an experienced collaborator, I wonder how well he would have weathered the ups and downs inherent in that kind of working relationship. It's never easy.
In the end, Miki left the evidence of his life (letters, notebooks, etc.) that he could easily have trashed. He knew someone would inevitably do something. He called it the vultures picking at his bones.
Anyway, does it matter whether or not Miki would have wanted the book? I don't think so.
How would he have reacted? He'd have said I blew it, that I could have gotten the real story if only I'd taken the time. But he'd have carried the book everywhere, showed it around and, depending on the situation, would have said he hated it or loved it. That's Miki.
How was Miki able to reconcile the fact that he played such a significant role in rise of 60's surf cinema? Considering that these films created the surfing population explosion that Miki loathed, it would seem that he made quite a complex bed for himself.
Rensin: I don't think Miki played that big a role in the rise of surf cinema. The irony is simply that at a time when he was most loudly decrying the exploitation of surfing because Gidget and other beach party films had crowded his beloved Malibu, he was also taking money to be a stunt rider and technical advisor. Maybe his ego couldn't let him stay away. Maybe it was the free lunch at the craft services table. Maybe it was his notion that he could subvert from the inside by acting weird as an extra in the background. Maybe he met some women he wanted. Maybe it was just fun, there was no surf, and he needed to do something that day. Later in life he realized that he had in some small way aided and abetted, but I don't think he wasted much time with regret.
Miki has been compared to everyone from Jesus to James Dean. However, after reading All for a Few Perfect Waves, I found my own comparison: he was the Tyler Durden of surfing. Akin to the Fight Club character, surfers cannot always condone Dora's antics, but we quietly support his pursuit for point-break perfection. Do you agree?
Rensin: I agree. Miki, like Durden, was that sage of harsh reality who made his own way, and the hell with the rest of you. Like Durden he was not completely a loner, and was willing to bring along new initiates if they attracted him with their own inner search. Often while writing the book, I kept thinking about Fight Club and how the rule never to talk about Fight Club was Miki's rule for himself. Many of Durden's aphorisms apply as well to Miki: "The things you own end up owning you." "It's only after we've lost everything that we're free to do anything." And my favorite, "Fight club exists only when fight club begins and when it ends." Or, as Miki famously said: "When there's surf I'm totally committed. When there's none, it doesn't exist."
How important was Dora's close and inflammatory relationship with Greg Noll?
Rensin: Dora's relationship with Greg Noll endured fifty choppy years and I think it was an anchor, a familiar place to return to. Noll just didn't take crap from Dora, yet he appreciated the rascal in him. Noll had it, too. They met as kids. They were of an era and mindset. Noll never wanted anything from Dora. When they made "Da Cat" boards, he endured the games Dora played. And he wasn't afraid - after Dora would pay him a visit at home - to ask to check his suitcase for the silverware. He knew what Dora was about, and he let him know he knew, but he never shunned him for it. They could appreciate each other and that love, if you want to call it that, grew over time. Also, Noll is physically imposing. You don't mess with Noll. Dora didn't.
What is your favorite Dora story or experience?
Rensin: It's really tough to come up with a favorite Dora story or experience. Overall, I love his audacity, his willingness to go against the grain, to not be bound by the rules, to so cannily manipulate an innocent surf media to his advantage after they'd helped rip away his paradise of empty waves. He was always pulling stunts like wearing a see-though plastic mask, or letting his groupies chauffeur him around, or having what he called his "party kit" (everything from a glass with ice cubes to a tuxedo, so he could crash Beverly Hills doings with ease), to various little cons and pranks (baby chicks in the lifeguard tower). There are too many to go into here. But I guess if I had to chose, a favorite would be Miki being baptized in the Mormon church when he lived in New Zealand in 1975. He played on the eagerness of two young missionaries and led them on a merry chase. I'm sure he was authentically curious about their vision of the universe, but I think he was definitely tongue-in-cheek. And best of all, he went through with the immersion. Dora was living theater. The idea, the best approach now and then, was to sit back and enjoy the show.
Product Description
There will never be another surfer like Miki "Da Cat" Dora. All for a Few Perfect Waves is the story of Miki "Da Cat" Dora, the dashing and enigmatic rebel who, for twenty years, was the king of Malibu surfers. He dominated the waves, ruled his peers' imaginations, and—to this day—inspires the fantasies of decades of Dora wannabes who began to swarm his pristine paradise after the movie Gidget helped surfing explode into the mainstream and changed it forever—many say for the worse. Disenchanted, Dora railed against the ruination; angry that the waves were no longer his own, he fought back—or found better things to do. Dora was also an avid sportsman, raconteur, philosopher, traveler—and scam artist of wide repute. When, in 1973, he finally ran afoul of the law, he soon abandoned America and led the FBI and Interpol on a seven-year chase around the globe. At the same time, he never gave up searching for (and occasionally finding) the empty waves and spirit of the Malibu he'd lost. From homes in New Zealand to South Africa to France, he continued to personify the rebel heart of surfing and has been widely acknowledged as "the most relentlessly committed surfer of all time." The New York Times named him "the most renegade spirit the sport has yet to produce." Vanity Fair called him "a dark prince of the beach." The Times (London) wrote, "A hero to a generation of beach bums. He was tanned . . . good-looking . . . trouble." To capture Dora's never-before-told story, David Rensin spent four years interviewing more than three hundred of Dora's friends, enemies, family members, lovers, and peers—none of whom would previously talk in depth about him—to uncover the truth about surfing's most outrageous practitioner, charismatic prince, chief antihero, committed loner, and enduring mystery. The result is a riveting and living portrait of an uncommon character whose unique influence on surfing has never waned, and who became what most can never be: a legend in his own time.
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| Customer Reviews: Read 13 more reviews...
 intriguing character study July 10, 2008
great biography... miki is a fascinating individual... I'd seen him rant in the movie "Surfers" a long time ago and read about him but never had any insight into who he really was until now... he's like the diamonds he coveted and sought to find on one of his many traveling adventures, troublesome and difficult but endlessly intriguing and charismatic... Rensin covers all the facets of this one person at odds with society and its rules, who at the bottom of it all just wants to be free... a thematic and compelling read.
 Where's the surf? June 28, 2008
2 out of 3 found this review helpful
This is a well-researched book about a semi-famous con artist and grifter. The man who invented localism, one of surfing's ugliest manifestations, is presented as some kind of exalted being for his appearance of never having "sold out", while cheating, lying, stealing, forging passports, and promoting himself to his advantage at every opportunity. This story would have been far more interesting had the author provided some insight into Miki Dora the SURFER, which I presume is his primary motivation and after all, is what he was originally known for-surfing at Malibu "in the day". Without a good feel for the man as a surfer, and discussion of his style, wave preference or performance in the water, and other aspects of him as a surfer, we get a picture of a person behaving selfishly and irresponsibly, period. Why make a 450-page biography about a surfer without discussing that aspect of his life? I could have done without all of the apologists trying to make him out as some kind of wise sage because he was so misunderstood. Oh, poor Miki, who pretended to be broke while making his friends put him up and take care of his every need, then died with $400,000.00 in the bank. Poor fella. Face it, he was a sham who promoted himself into a myth that just didn't exist. Was he a good surfer? Worthy of the reputation? I don't know. I'll have to wait for another book to get that part of his life, I guess.
 Surfer? June 24, 2008
I'm not a surfer and feel that being so would make this one a bit more interesting. Some jargon and stories that would be better if you could relate.
Dora Wins! June 8, 2008
1 out of 1 found this review helpful
Growing up in San Diego in the 60s and having read biographies of Greg Noll and Mike Doyle already, I idolized the surf scene and have followed it from my landlocked location. Dora is the ultimate enigma. Wants the attention when he wants it but wants to be elusive also. But what he really wanted more than anything, was the post WWII check out of society and never have to work, the ultimate Surf Bum but with taste. And really, he accomplished this. BUT, sometimes the methods to achieve this didn't square with the law so Dora was granted the opportunity to spend time in prison after an international search involving all major police bodies.
As he approaches his unfortunate death Dora seems to come to grips with who he is, the powers he possesses and the desire to set things right. And then after death, the ultimate surprise that is pure Dora. If you want to know about the surf culture at the beginning, USA in the late 50s early 60s, or a fascinating tale of a bizarre intersting person, read this book. Not a typical life, but a life well lived.
Miki Dora June 8, 2008
1 out of 1 found this review helpful
I can hardly begin to tell you how very much I enjoyed this book about Miki. It is so well written and so rich in it's descriptions. I felt like I was there with him from Malibu to Africa and France. Knowing Miki in the 50's and 60's, all of my encounters with him were favorable. He loaned me surfboards, treated me and my daughter with courtesy and always had something interesting or funny to say. I wept reading the part about his beloved "Scooter Boy" and his own involvement with his death. What a tremendous tragedy for anyone to go through and especially Miki as that dog was the closest and most loved being in his life. You are a fantastic writer David. Miki was an incredible person and for you to capture him in the manner that you have is brilliant. His Dad must have high regard for your book. I would be proud that I had a son that was so unique and marched to a different drummer than anyone else. He had a pure, pure love for the sea and nature in spite of his many short-comings. In a very strange way he knew a lot about some of what is important in life.
Toni Donovan Colvin
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