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Shakespeare: The World as Stage (Eminent Lives) | 
 enlarge | Author: Bill Bryson
Publisher: HarperLuxe
Category: Book
List Price: $19.95
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Avg. Customer Rating:  68 reviews
Sales Rank: 858565
Format: Large Print
Media: Paperback
Number Of Items: 1
Pages: 256
Shipping Weight (lbs): 0.8
Dimensions (in): 9 x 6 x 0.7
ISBN: 006136391X
Dewey Decimal Number: 920
EAN: 9780739495100
ASIN: 006136391X
Publication Date: November 1, 2007
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: New Trade paper
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Product Description
William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself. Bryson documents the efforts of earlier scholars, from today's most respected academics to eccentrics like Delia Bacon, an American who developed a firm but unsubstantiated conviction that her namesake, Francis Bacon, was the true author of Shakespeare's plays. Emulating the style of his famous travelogues, Bryson records episodes in his research, including a visit to a basement room in Washington, D.C., where the world's largest collection of First Folios is housed. Bryson celebrates Shakespeare as a writer of unimaginable talent and enormous inventiveness. His Shakespeare is like no one else's-the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivalled in our time.
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| Customer Reviews: Read 63 more reviews...
 A summary of his life and a defense of his authorship via Bryson August 27, 2008
Bryson is the perfect choice for this addition to the "Eminent Lives" series, as he takes what little is known about Shakespeare's life and distills it into an easily digestible biography. Conceding that little is known about Shakespeare, Bryson succeeds in capturing the writer and bringing his life into the best focus possible. Filling in the few details he can, Bryson proceeds to create an idea of Shakespeare that forms as solid a portrait as we are ever likely to get. While that alone is praiseworthy, the real outstanding achievement in this work is Bryson's dissection of the "Who really wrote Shakespeare's plays?" myths with a case by case demolition of each one of those silly attempts by others to find the "real" Shakespeare. All the pretenders are examined and thoroughly debunked and that alone makes this book must reading.
Wit, Logic, and Love for the Bard August 27, 2008
In Shakespeare: The World as Stage, Bill Bryson tackles the enigma that is Shakespeare by majoring on only those facts that are definitely known about him. Much time is spent exploring the world of Shakespeare's day to reach an understanding of the kind of man he was in relation to his era and his people. Bryson makes the case that a surprising quantity of details survive for this man in an age when such things were rarely codified. Bryson also explores Shakespeare's family, his role as actor, the rumors surrounding him, and answers the claims that he was not who history says he is. His wit and logic as he debunks the many baseless theories and projections about other Shakespeares is truly worth the read. Grade: A.
 How little we can know August 20, 2008
With this book, the ever succinct Bill Bryson exposes how little we know and can know about one of the world's most recognized figures. The writer left only a few bland papers, wills and court fillings. His time left some engravings, some diaries. Of course, there are the plays themselves and the sonnets, mined for biography by many. Much of what is commonly believed is conjecture or invention from a sense of "had to be" that only started long after his death with each generation adding, not examining prior imaginings. Our need to know a man of such influence and the absence of first hand accounts forced their creation and promoted their endurance.
That great bald head. Every one of the three - and there are only three - portrayals of him are open to question. Was this or that lord his patron or do we just repeat the opinions of biographers writing long after his death? Ever look over the new globe theatre in London, the "reproduction" of Shakespeare's original? One, just one, image of a theatre like it survives. Not it, of one just like it and so you looked around what? And Bryson even finds space for the line of strangely named enthusiasts who believed someone else wrote Shakespeare, that a man from backwater Stratford had no business exploring humanity.
This small book shows once again that the most interesting of history is the making of history itself, exposing her process, that showing how little we can know is the greatest gift of the truly inquisitive.
There's small choice in rotten apples August 11, 2008
Bill Bryson is more or less superman in today's literary world. He transcends subjects in a single bound and the globe in another. He's a talented critic, writer and humourist. It's a good job, to use modern vernacular, that he's the daddy because, with this one, he's taken on the mother of all literary subjects.
He's done so wisely. He's not attempted to become an original researcher and posit new theories about the man's identity or his plays and other works. He has essentially evaluated and sumamrised the existing state of Shakepearian debate and study, providing his own critique of what is compelling and credible. Thankfully, Bryson was born without a 'boredom gene' and the book reaches any audience, reading so easily. The man does not do dull.
Typically, Bryson's prose is litered with diverting and revealing anecdoes, we get a potted physical history of the theatre alongside the exposition of the central figure. Bryson is expert at demonstrating the lack of hard information about Shakespeaare (I spelled that incorrectly, but then, so did the Bard...) and the vulnerability about the claims and surmises made about his life and character. That will no doubt ruffle feathers. I found it interesting to learn that Shakespeare had thieved so many of his stories from others. As also did I find the battle for written English over Latin. The fact there were lost plays is new to me too. So to non-Shakespeare scholars this offers a lot.
To those who are scholars I am not sure it will be depthy enough to satisfy but they are not the prime audience I'd suppose. Bryson's great economy of expression, wit and clarity mean he is less self-indulgent in this book than perhaps any other of his that I have read (which is all but one, that being the African diaries). Although always near the surface, his trademark wit is less in evidence, reserved for a full scale assault on those who feel Shakespeare was somebody else. That business is clearly a cottage industry and I know Bryson has trodden on somebody else's cucumbers here by reason of the ridicule he heaps on the alternate theories.
It is a short book. There could have been more. But how much more was truly needed? And at whatever point should he have stopped on an almost inexhaustible subject populated by many including purists and pedants? Nevertheless one gets the impression he made a judgement about the length that possibly excluded a little more hard work examining various omissions from the life of the Bard and those who knew or worked with him.
Bryson's book has one central curiosity. It is really the oppositite of a biography - more a book about what we don't know than what we do - and that is refreshing in itself. I think he's done a first rate job here given how well aired the subject is.
And for his next trick...?
Incidentally, the title I gave to this is a quote from one of the Bard's plays and seems to convey Bryson's attitude to much of the literature he discovered!
Who was Shakespeare? August 11, 2008
This is a brief, but very enjoyable and elegant read by someone who obviously loves this subject and its environment.
Bill Bryson gives this question of Shakespeare's identity a pretty good shot. There is apparently no definitive answer as to whether he was simply himself, someone else under a pseudo name, or several people under the same pseudo name. Even his portrait that we know him by is questionable. We do get interesting little glimpses of the times and the life of the person who purported to be Shakespeare. We also get glimpses of the stir that Shakespeare created with his work. How could one person, a country person at that, be so sophisticated and knowledgeable about so many important things? His work is so revered that it is studied for authentication purposes almost like biblical manuscripts. Shakespeare, in a word, seems to have created his own weather.
Sometimes the things that surround something or someone are as exciting as the thing itself
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